Sensation also does not mean possession of different or competing feelings, such as observing love and hatred at once in a painting. 137 likes. Through various brushstrokes (“wiped, brushed, or rubbed…”), the traits of the object in the painting are no longer representative but instead “[confused] traits of sensation,” consuming the canvas with a new figurative given. An Analysis of Gilles Deleuze’s Francis Bacon: The Logic of Sensation In this paper I will look at three primary ways Deleuze analyzes the works of Francis Bacon. Let us call this spectator “I.” There are two primary ways in which I can experience the viewing of a painting: one is the abstract form, which affects the head and brain; the second is the “Figure,” which Cezanne labels the “sensation.” This sensation is the form which interacts “immediately upon the nervous system, which is of the flesh” (Deleuze 34). Deleuze delves into some of the techniques which allow Bacon to obtain the Figure. Gilles Deleuze, Francis Bacon: The Logic of Sensation, trans. Three Types of studies in the Eyes of Sir Francis Bacon: From the very beginning of the essay, Sir Francis Bacon divides studies into three categories; in fact, these three types are benefits of studies. Another technique Bacon uses is the deformation of the physical traits of the object in the painting, which out of this comes the Figure. Bacon and the Cartoonist: The Emergence of the Figure Through Two Opposing Diagrams. The Figure is the body, the head—that which is made of flesh. Galloway reading notes PART 1: BACON’S “THREE PICTORIAL ELEMENTS” (13) Figure [Figure] (5) Round Area/Ring [rond, piste, contour] (5) Field (of Color) [aplat] (8) Figure Contour Structure the raised image, the fact (of Truth and usefulness in this inquiry are the same thing, but the goal of creating a true picture of the world is most important. About Francis Bacon. Deleuze staples an additional component to this explanation, arguing that the various orders of feelings can also be understood as reference to our different sense organs. Unfortunately the English edition has no imagery at all. Consider the head: in Bacon’s paintings, the head is “wiped, scrubbed, or [has] rubbed out zones” which deform the head and are thus “immediately transferred to the Figure” (Deleuze 19). Crucifixion is a 1965 triptych painted by the Irish-born artist Francis Bacon.Across each of the three panels, the work shows three forms of violent death. Notify me of new comments via email. In doing so, the role of the Figure is fulfilled, acting as a mediator between the real image and the sensation Bacon wishes to render visible. Students will be responsible for having three leading questions prepared for each session. Bacon is of the view that any impediment or stond in the wit can be wrought out by fit studies. Francis Bacon (1909-1992) Two Men Working in a Field signed, titled and dated ‘2 Men working in a field Francis Bacon 1971’ (on the reverse) oil on canvas 78 x 58in. ... G. Deleuze, Francis Bacon. Francis Bacon and The Logic Of Sensation. Deleuze here writes about the 'sensational' aspects of Francis Bacon's art, art which he knows well, living with several of Bacon's works in his home. But just what does it mean to paint the sensation? The book presents a deep engagement with Bacon's work and the nature of art. Consequently, the painter in the act of painting must overcome the constant battle between the cliché and the sensation (Deleuze 87). The Francis Bacon: Essays and Major Works Community Note includes chapter-by-chapter summary and analysis, character list, theme list, historical context, author biography and quizzes written by community members like you. The macroscopic understanding is that this act of painting is constantly morphing between a prior state where “everything is already on the canvas, and in the painter himself, before the act of painting begins,” and the subsequent state where the Figure has become visible for both the painter and the viewer (Deleuze 98). I find Bacon’s views on the nature of painting to be quite fascinating and agreeable. Francis Bacon and The Logic Of Sensation. In The Logic of Sensation, Deleuze describes Francis Bacon’s practice as a constant struggle to avoid or surpass figuration, illustration, and narrative, all of which are central elements of the art practice most commonly known as “cartooning”—the drawing of comic strips, books, and graphic novels. Shelves: francis-bacon, art, philosophy, aesthetics Another one in the writers should read aesthetics category, for example, here's one of Deleuze's passages on painting that transfers nicely to writing: "It is a mistake to think that the painter works on a white surface. This, for Bacon, is what the painter must do in order to paint the sensation. Only then is the painting truly the painter’s. In this landmark text by one of the most influential philosophers of the twentieth century, Gilles Deleuze takes the paintings of Francis Bacon as his object of his study. Daniel Smith (Minnesota 2004; French editions are 1981 and 2002). I will conclude this analysis with my own assessment of Bacon and Deleuze’s thoughts and present two reasons as to why Bacon provides an enthralling understanding of the nature of the painting. The New Organon forms part of the great renewal, or Instauratio magna, an ambitious practical and theoretical project to overhaul and reform the way in which man investigates nature. Francis Bacon: The Logic of Sensation is his long-awaited work on Bacon,widely regarded as one of the most radical painters of the twentieth century.The book presents a deep engagement with Bacon's work and the nature of art. Deleuze tells us that Bacon describes sensation as “what passes from one ‘order’ to another.” Yet even this is rather vague. Google "Francis Bacon talking to David Sylvester, The South Bank Show, 1985" 12 people found this helpful. However, in neither of these books nor in any other works does Deleuze articulate in a formal way the features of the logic he employs. Summary and analysis – Of Studies by Francis Bacon Of Studies by Francis Bacon highlights the importance of studies in one’s life. Students will be responsible for having three leading questions prepared for each session. Francis Bacon: The Logic of Sensation' 'Demons and beefcake - the other side of Bacon / Sadomasochism and shoplifting sprees: Bacon's legacy revisited' 'Disputed Bacon artworks go on display' 'Disturbed Ground: Francis Bacon, Traumatic Memory and the Gothic' 'Diving deep into darkness' Francis Bacon: The Logic of Sensation: Amazon.de: Gilles Deleuze: Fremdsprachige Bücher. Francis Bacon and The Logic Of Sensation. Francis Bacon: The Logic of Sensation. Helpful. At the beginning of “Of Studies”, Francis Bacon tells the readers that the three important benefits of studies are “ studying for gaining delight, for ornamenting one’s life and to improve one’s ability” (Bacon 3) . Allow Bacon to obtain the Figure to remain a part of the assigned.... Both Bacon and Deleuze provide a cogent defense and understanding of the most and... His new Logic differs in Its end, order of demonstration and point. 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